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Studio F/ARTs from January


Lovely people of the internet.

Before getting into this month’s updates, I wanted to talk about my observations from living on the internet. You see, 2026 marks the 20th year of me quietly thriving in cyberspace with my visuals and stories. It started with Eggshell Minds – The Unconsciously Conceived Conceivable’s Of A Grey Pulp In A Psychedelic Prison (with two spelling mistakes in the subheading). Back then I was just a young gun talking about love, heartbreak, teenage angst and the gloriously horrible art I made back then. Even then, Eggshell Minds persisted between 2006 and 2013 and had a total of 6 followers.

Then, I moved to Singapore; and tumblr and instagram happened. My tumblr was active till 2018 and had a total of 36 followers. A solid gain of 30 more humans. A win I would say. And though I have been regularly inconsistent on Insta, a total of 2,273 people show their generous interest from time to time 🙂 A crowd compared to the 36!

This is all to say, that in 20 years of being a student, artist, freelancer, founder of monkeyverse and now Baanar, there are a few things I have learnt about writing online and the ‘crowd’.

First. Writing builds an internal compass.

Just because you build it doesn’t mean they’ll come, is true for all intents. The process itself guarantees the joys and suffering, but the urge to reach an audience and generate an interest requires a certain kind of strategic shameless confidence. Which to be honest, I have second guessed through out my journey. And I am sure others out there feel the same. There are myriad justifications that have come up over the year, but at this point in my life, I think they have all been unnecessary and futile attempts at sense making. It could be a lack of confidence, a trauma, introversion, irrational fears, or whatever narrative I might have unconsciously subscribed to. It matters, but it doesn’t!

Look at the cognitive dissonance. I put my work out there, but I hide it. It’s like creating silent folders in cyberspace. Doesn’t that contradiction speak for itself?

But now I realise that writing online has never really been about marketing or promotion. This has always been a thinking tool, not a publishing channel. It is a way to introspect in the open. I feel it is an effort to clarify my own positions more than to persuade others. I mean blogging specifically. The real value of these efforts has been to witness and evolve over years.

Sharing, over a long enough time, stops being about publishing and starts behaving like memory. Not the clean, factual kind, but the fuzzy, emotional one. I don’t go back to old posts to remember what I did, I go back to remember how I was thinking, what I was worried about, what felt urgent at the time. Patterns reveal themselves only in hindsight. Ideas I thought were passing obsessions keep resurfacing years apart. The archive makes it clear that growth isn’t linear, it loops. In that sense, the blog is a time machine. A slow one. Built sentence by sentence.

Fifth. Consistency is overrated, continuity is not.

Inconsistency is consistency. Today, everyone talks about how you should post everyday, or make reels once a week or whatever gimmick there is that is being sold by platforms to keep you glued in. And if you are an aspiring influencer, that is the journey. But as an artist. Long gaps between posts are actually necessary. They give space to think and ponder. To twiddle thumbs. Returning after a silence feels more honest than forcing updates all the time. The difference between being consistent and being coherent over time cannot be overstated.

I wont write too much about this, instead, just skim through my portfolioblog and instagram.

Keep in mind, that I have all of the passion and none of the ambition. I am deeply interested in the process of creating art but have lesser interest in conquering the creative world. But in a sense I has made inconsistency work. It has allowed me to build slowly, with intension, toward what matters to me.

Second. Writing publicly creates invisible relationships.

Being an artist is complicated and the journey is almost always meandering and full of holes. And like I said, even though I have not been a shameless artist, I am very aware of what I want and how to get it. If you, like me, have a strange blend of interests, then building a highly curated strategy should be your goal.

Instance: My objective between 2016 and 2024 was to collaborate with people I admired. And that was it; that was my focus. So I designed all the platforms I was on to look like a portfolio. At first glance 2273 might not seem like 10K, but I would be understating the fact that the gang comprises of humans I highly respect, have worked with. And people who have helped me learn, grow and evolve.

The point is, better have a really good torch if you are stepping into the deep dark woods.

Third. Change is constant. Platforms rise, blogs remain.

The truth is that in the process of running a design studio, and the creative blogs before them; I have had proverbial heart attacks, actual panic attacks, lost my marbles many time, been sad, angry, happy, excited. The whole catalogue of emotions and reactions. The worse decisions have been made along with the best, and small things in hind sight appear to be big, and big things small.

This is the nature of change. So keep changing. But if I would do it again, the only thing I would change would be the unnecessary stress. And own my content sooner (Start with wordpress).

As monkeyverse has organically evolved from a freelancer sitting at a desk, to a one person studio, my goals also keep shifting. What seemed like a big task five years ago, is now the mundane. And with it comes new dreams. Now the goal is to build an independent audience for the thousand arms, baanar, and a few other projects that are in the works. But that changes the mechanic and toolkit with which to deal with outreach.

But always own your stuff! This is a long game, and platforms come and go.

Fourth. Promoting does not equate creating.

Having committed to becoming a shameless artist after 20 long years! And subscribing to the idea that all ideas and outputs are equal — unbaked, half baked or fully baked. They will all be shared with the same spirit. But ‘shamelessness’ does not equate ‘strategy’. As much as I would like to remind the world that I shit twenty four carat gold with every mark and word. That obviously is not true. Hence, there has to be some notion of a strategy. And this is coming from a pantser! Imagine.

A very long time ago, when I was in my late teens, a very wise man asked me: ‘Who do you write for?’ I remember fumbling an answer back then, trying desperately to sound smart. But after two decades, I can speak with confidence that the art that passes through me reveals to me, and only me, truths that are only for me. It is an exploration of the ‘spirit’ in a sense. The surrender to a craft is a journey of a thousand lifetimes. Yet, the same spontaneity that draws on the process of creation does not work for building an audience. It needs a more structured approach and an awareness of who the audience is and what is being offered to them. So find that out, and find that out quickly.

For example, so far this blog has been about me processing and making sense of the journey. And everything has been to build a portfolio for collaborations. But going forward, the strategy will be tweaked to meet frameworks of marketing for an audience and not client building. And in my case, will obviously be maximalist and over the top.

To make a point. If you read Karthi Subbaramana’s blog you will find that we are diametrically opposite in our approach to how we write and share. I love that she writes in small bites, has no social links, no call to action buttons, no urgency. Just well written posts. It feels highly refreshing. A reminder that it doesn’t always have to scream to exist. But that is not me, sir!

Subtlety is not my forte. I am more about — Sign up, follow me, read more, follow me, do this, do that! These are my links, monkeyversebaanar & the thousand arms. And you show me love. Write to me, et cetera, et cetera. You get the point.

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The Thousand Arms

I’ve been thinking a lot about woodblock prints lately. Never tried it myself, but I’ve always been drawn to the craft and the textures that come out of it. There’s something very physical and honest about the process. I stumbled on a video of Hasui Kawase working on one of his pieces and went down a bit of a rabbit hole after that. Also, small side note: Bernie Wrightson, a hero of mine, was heavily influenced by woodblock etching, and you can really see how he carried that sensibility into pen and ink.

What keeps sticking with me is the effort behind those marks. The act of carving, the resistance, and then translating all of that into black, white, and a handful of mid-tones. While thinking about the visual language of The Thousand Arms, I have been circling around this idea of drunk, brutal lines and unstable forms, something that feels like it’s barely holding together, but still moving and breathing. Revisiting woodblock work made that idea click a little more. The chaos in those marks suddenly felt appropriate.

Because of that, I spent some time experimenting on the “Drinks” illustration and how the etching could be represented digitally. Along with that I made a few marketing visuals; mostly rough layouts for how the chapters might eventually be presented, and an intro carousel for Instagram.

On the writing side, I rewrote Sunanda and Sadananda and changed the tone completely. Letting Satori speak directly felt more honest somehow, less like a story being presented, more like one being told.

At this stage, it’s a lot of back and forth. Mostly small experiments, a lot of looking back at old influences, and slowly figuring out what this project wants to look and sound like.

Mind of my mind

I came across this powerful video, The Gentle Video That Made Smokers Put Down Cigarettes, about cigarettes as the cause of cancer. In it a person who died of cancer talks about tobacco companies as sanctioned killers. That these companies are allowed to kill these people in the interest of money. And it is allowed.

At the end you find out that 200 people quit smoking after watching this video. Which I found to be extremely powerful. You should check it out.

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In the new episode, The Intoxicated Gut, I explore how alcohol affects the gut ecosystem long before it reaches the liver or brain. The gut is not just a passive bystander in alcohol exposure, but the first boundary to break down.

Alcohol, fundamentally disrupts the gut microbiome, killing beneficial bacteria while allowing more resilient, potentially harmful microbes to thrive. On a chemical level, alcohol’s primary breakdown product, acetaldehyde, directly damages gut cells and the tight junctions that keep the intestinal wall sealed. Once those junctions fail, bacterial toxins leak into the bloodstream, creating systemic inflammation.

These things, those things

I very profound and realistic impression of Buddhism, the article presents an insightful view of the religion and its nuances as opposed to the sugar coated version that we commonly hear.

Excerpt below…
“Religious conflict was commonplace in old Tibet,” writes one western Buddhist practitioner. “History belies the Shangri-La image of Tibetan lamas and their followers living together in mutual tolerance and nonviolent goodwill. Indeed, the situation was quite different. Old Tibet was much more like Europe during the religious wars of the Counterreformation.” [6] In the thirteenth century, Emperor Kublai Khan created the first Grand Lama, who was to preside over all the other lamas as might a pope over his bishops. Several centuries later, the Emperor of China sent an army into Tibet to support the Grand Lama, an ambitious 25-year-old man, who then gave himself the title of Dalai (Ocean) Lama, ruler of all Tibet.

Anyway. That’s all I have for today.
See you when I see you.

BREATHE 🙂
Yuvraj Jha.
Concept Artist. Storyteller. Worldbuilder.
Follow the work — @Instagram@Threads@Youtube
Shop & curiosities — @Baanar.com@Instagram

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